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Needle Felting Wool: A Guide To The Different Types And How To Use Them

A question I often get asked when creating my needle felted animals is ‘what type of wool did you use for your core wool?’ or ‘what wool is the dog’s long fur made of?’

When you first start needle felting the variety of fibres out there and knowing what to start with can seem really confusing and somewhat daunting. There are not only different animal fibres you can choose from (e.g. sheep, alpaca, baby llama, camel, even dog fur etc) but there are also vegan options such as viscose, acrylic, bamboo, hemp, soybean, nettle, pineapple or banana fibres. 

When felting with sheep wool there are different breeds of sheep that produce different textures. Some are delicate and soft with straight fine fibres, some are more thick, fibrous and harsher to the touch. Some are easy and quick to use as a core wool and some are better to use as a top coat. You can get natural undyed wools which come in some lovely whites, creams, greys and browns depending on the breed or you can opt for wool that is dyed (or dye it yourself) and there are numerous amazing colours to choose from. 

In this guide I mention some sheep breeds that I love but my main aim is to help you understand the different preparations of wool like knowing the difference between a batt and a top. It is so useful when learning to needle felt to know what these terms mean, to save time and money and to know practically how you might use each of the different wool types at the different stages of making your needle felted animal. 

I give some suggestions from my own needle felting journey that will hopefully provide some insight into the types of wool available but I’d encourage you to test different fibres for yourself. It’s very much part of the fun when learning and no doubt you will find some amazing discoveries along the way. 

I have also included links in this guide for where to source the different types of needle felting wool – please see my links disclaimer in the right side panel for more details. These are all from Heidifeathers shop on Amazon. They sell a wonderful range of wool and the biggest range of barbed needles in the UK. They have excellent customer reviews and postage is usually free. If you would like to just browse all their products rather than using the links below then here is the shop link.   

Carded Wool – Batts and Slivers

What is carded wool/carding? 

The process of carding wool can be achieved with a machine (usually a drum carder) or by hand using two handheld carders (some people use dog brushes). Traditionally the wool is first of all washed, removing most of its lanolin and then passed through differentially moving surfaces so that the fibres are further cleaned of vegetable matter and are rid of any tangles or clumps. The result is a continuous mesh of mixed up fibres.  They come as carded batts or slivers. 

What is the difference between a batt and a sliver?

Carded wool can be bought as a carded batt –  which is simply a big thick sheet of mixed up wool fibres or it can be bought as a carded sliver which is the same as a batt but it comes as a very long strip. 

Both are great for most needle felting projects as you can easily pull off small pieces or long sections and start making shapes. As the fibres are short and go in various directions rather than laying in the same way, this wool type is super quick to felt with. 

Here is a carded wool batts bundle of 4 natural wool shades; white, grey, dark brown and mid brown.

What would I use carded wool for? 

I find carded wool is great to use as a core wool for my medium to large needle felted animals. I like using natural undyed carded corriedale, Jacob, or mixed breed wool for this. 

Here is the white Jacob wool batt which is great for the core shape of your animals. It also comes in other natural shades.

Core wool is often cheaper to buy (especially in bulk) saving the more luxurious softer wools such as merino wool for the coloured top coat. You don’t see the core wool which makes up the inside of your felted animal so it doesn’t matter if the finish looks good or if there’s a tiny bit of vegetable matter in the wool. The important thing is that you have made a good firm shape on which to attach your outer wool. 

I prefer the carded batts of wool for sculpting the basic head and body shapes and for making flat features such as ears. See below for my hare.

For animals which have a wire armature I find it more practical to use the carded slivers for wrapping lengths of wool over the wire, then I use either batts or slivers to build up the shape and musculature. 

Here is one of my favourites – the white corriedale wool sliver.  

Batts and slivers come in a variety of colours and if you are making a small animal and not using the long fur technique you can skip the need for a core wool and just start sculpting your animal in the colour it is. 

If you have started off with core wool, you can add the carded wool colours as a top coat. They are great for layering different shades of colour and blending them. You can also use the long fur technique with the coloured batts to replicate a wavy/rough coat appearance. Batts work well too if using a reverse needle to pull out fibres to achieve a fluffy coat / hairy look or for blending colours. 

This ‘Creature Mix has six wonderful animal shades of needle felting carded wool slivers.

Tops/Roving

What are tops/roving?

Tops and roving mean more or less the same thing when it comes to needle felting. After the wool has been washed and carded it can then be combed so that all the fibres end up going in one direction to form long lengths that can be wrapped up into a ball. They come in all sorts of sheep breeds and most often you’ll see them in merino wool in a vast array of colours to choose from. 

What would I use tops/roving wool for? 

As it stands this type of wool is not so easy to felt together as the carded wool due to the fibres all laying in the same direction, however it is brilliant for adding pieces of wool to your needle felted animal to resemble long fur. The merino wool tops in particular are fine, straight and soft and so I will mostly use them for straight fur. Your animals can look really realistic with a bit of patience and some beautiful merino wool tops.  

This merino tops ‘Toy box mix’ has 12 colours which are perfect for needle felted animals, including the pink for the inside of ears or for the nose or paw pads on some animals.

When you look at a real animal its coat is rarely all one colour but different tones of light and dark so by using a number of tones of wool you can get your animal fur to look as realistic as possible.

The following packs (each containing 6 colours) are ideal for when you need a variety of tones of the same/similar colours. I have given examples of animals you might use these packs for as inspiration, many of which I have made myself in the past.

‘Beautiful Browns’

For making a donkey, mouse, tawny owl, mole or hare.

‘Grand Greys’

For making a badger, koala, wolf, seal or grey squirrel.

‘Outstanding Oranges and Yellows’

For making a red fox, red squirrel, bumble bee, yellow chicks or an orangutan.

Gleeful Greens’

For making a lizard, turtle, snake, frog or parrot.

If you need an extra colour that isn’t included in the packs above you can choose single merino wool colours too here.

 

On some of my animals I add in tops of another sheep breed (such as corriedale/ Shetland) to the merino tops where I would like to have a more wiry/ textured looking coat for more realism. I find that the sections I add have a bit more thickness and robustness to them than just the soft merino.

If you would like to stock up on and try out some tops in a variety of sheep breeds then this ‘Animal Mix’ is a wonderful collection of soft natural mixed wool tops from 10 different breeds including blueface leicester, manx and merino.

For a very tiny animal such as a needle felted bee where I want to reverse felt the colours, I don’t use a core wool but make it from the merino tops I already have to hand rather than necessarily buying new wool but I will hand shred/blend the fibres first to make it easier to felt with. My bumble bee tutorial here shows you how to make a bee from merino wool over a pipe cleaner armature.

When you need specific individual colours and types of wool, Heidifeathers also sell a variety of single colour slivers, natural sheep or alpaca wool tops in a variety of animal colours and bright colours too. Take a look here.

This photo shows the rabbit coloured carded sliver. I love this one.

Locks

You can find lovely natural curly locks in the cleaned but uncarded wool of some breeds of sheep (such as Teesdale) or from the angora goat – mohair. These can be attached to your needle felted animal to resemble curly fur / wool / hair for example when making a mane or for curly haired dog breeds or making a sheep/goat.

Heidifeathers sell these really soft curly mohair locks in a variety of colours.

This photo shows the brown mix.

I have personally found that if I need to add curls all over my animal rather than just adding a small numbers of locks e.g. to a mane or tail, then it is far cheaper and fun (though time consuming) to curl some wool tops by hand either by winding the wool round knitting needles or plaiting it, then wetting with a little water before leaving to dry.  This technique also ensures every part of the wool is fully curly as some of the locks you buy may not be a perfectly formed curl or there may be matted/frizzy parts. 

My favourite sheep breeds

I have mentioned some sheep breeds above that I love so here I have included some more information about the breeds and their wool.

Corriedale

The corriedale sheep is a cross breed from New Zealand (merino crossed with Lincoln and Leicester) and now bred internationally.

It’s a very cute sheep to look at with its super thick wool more or less covering its entire body and over its head like a hoodie.

Corriedale wool is fairly soft to feel and great to felt with and I love its natural creamy white colour. This is the wool I started out using as a beginner and though I love the other breeds too this is one I often stock up on. I use carded and tops for my animals.

Merino

The merino is a worldwide bred sheep but originating from Spain, this is very popular across Australia and New Zealand.

Similar in looks to the corriedale sheep with its wool over its head but the wool is extremely soft and fine.

I always choose a non-mulesed merino wool as unfortunately the painful practice of mulesing still exists on some farms where some skin is also removed along with the merino wool in some places. Merino tops are brilliant for adding pieces to my animals to resemble long fur and merino batts are wonderful to reverse felt for a soft fluffy coat.

Norwegian

There are many sheep breeds in Norway but the one most often used for wool nowadays is a cross breed of the Cheviot and the Dala and Steigar. 

These sheep look slightly more slender looking than the above breeds as their fleece is longer and not so springy.

The wool is really easy to felt, feels soft and comes in a lovely natural creamy white colour. I particularly love using carded Norwegian batts.

Jacob

Jacob sheep are so interesting to look at. They have some great markings, usually spots or patches of black or dark brown against a white background. They are also polycerate which means that both the ewes and rams have 2, 4 or even 6 horns.

Jacob wool comes in brown, black and white, and is quite soft and silky to feel though still quite coarse. I like the carded batts in this wool.

Shetland

This breed is the smallest of the British breeds and predominantly found on the Shetland Islands. It’s origin is not confirmed but is likely to have originated from Scandinavia.

Their wool comes in shades of white, brown grey and black making it really versatile in its natural form. It is fairly soft and fine with a more silky kind of feel than the corriedale. I love using Shetland tops as long fur for my animals.

Which sheep breeds and wool types do you love to use the most?

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Luna the Needle Felted Hare

I am so excited to present to you my needle felted hare. She could be a moon gazing hare or maybe she is simply gazing up at you with those endearing eyes for some cuddles. I thought Luna was a sweet name which also means moon in Latin.

She is 100% wool except for her whiskers which are made of horse hair. Also I had some fun experimenting with wax that melts in the warmth of your hands to twist some of the wool between my fingers as a way to define the rugged and wavy texture of the hare’s fur around her neck and chest area. The wax was really effective to shape the tiny pieces of wool that I used for her claws as well.

I really love how hares have such long ears so I made these extra long for her body size, but I think that makes her even cuter, don’t you think?

The process?

I started off making the basic shape of a hare head and body with carded core wool batts and then for her top coat I added a variety of brown carded slivers and some merino wool tops using the long fur placement technique.

This sounds strange to be using this technique with carded wool but having tried it it works well to give a rough fur coat look rather than lengths of straight wool.

I also pulled some of the core wool through with my ever faithful reverse felting needles to lighten areas (especially on the limbs) and to blend some of the colours.

I left some parts free from the top coat where I would attach the ears, limbs and tail.

Next I made the ears and attached them, followed by the hind legs and then the front legs. Using 2 needles at once with my Clover pen style needle holder really helped to flat felt the ears and to quickly attach body parts..

Then I completed the top coat and added a tail and finally some whiskers.

I really enjoyed making Luna. I particularly loved making her as realistic as I could by taking my time to twist the wool and mimic the wavy and tousled look of the hare’s back fur.

I am pondering if to make another one and create a detailed tutorial as I go along.. I’d really value your thoughts..:-)

I have included links for where to source needle felting tools and materials. Please see Links disclaimer in the right side panel for more details.

Earth Mat – a wonderful wool base

Have you ever tried using a wool mat as your base for needle felting your wool animal sculptures? ….Hmm felting wool on wool? Surely that can’t work? 

Well I can tell you that surprisingly it does work and really quite well. For the past month I have been using the Earth Mat by the Makerss and I can honestly say that I don’t think I will go back to using a foam pad! As much as my foam pad has been my old faithful ‘go to’ felting base for so long, I am really loving the new wonderful experience of this new wool mat!  

There are many kinds of felting bases out there such as rice bags, foams, brushes, wool pads and more, but what you end up using really is down to personal preference and what you get used to and comfortable with.

Over the years I have tried a few different bases including making my own rice bag but I just kept going back to my foam. I found the brushes too small for the sculptures I make, the rice pads work well but I needed something more lightweight for when I am on the move and a piece of foam just did the job! But what about those annoying bits of foam you get in your wool? Yes they often frustrate me! And what about the impact to the environment when I need to get rid of an old foam pad? ..hmm not so great!! 

So let me tell you more about this new kid on the block, the Earth Mat (full name ‘Earth Friendly Felting Mat’) which solves these issues straight away and is a joy to use. 

As I have been so accustomed to my foam pad and it is the usual base that people buy, I will be reviewing the Earth Mat and comparing it to my old blue foam pad. Please note that these are my opinions and you may have a different experience but I would definitely encourage you to try the Earth Mat for yourself. I am not affiliated in any way with the Earth Mat or receiving any gains from it I just thought I would blog about it 🙂

My Felting Experience

I have a firm Earth Mat as the base and a softer one on top (as suggested by the Makerss). The idea is to replace the softer one or add another soft one on top as it wears down. Both are large (A4 size) and each one is 10mm thick. 

They came with easy to follow instructions with pictures and tips for how to get the best use out of them. 

First impressions?

Felting on a wool mat felt a bit strange at first, because I was so used to a foam pad. A foam pad is one thick base but with the Earth Mats there are two mats together (the firm and the soft). It is recommended to use two like this but you can just use one mat or two or even more if you prefer.

The two mats can slip apart whilst working or when moving them so you do need to felt the two together at the corners as per the instructions to keep them in place when you first start using them. Over time they naturally keep together anyway.

The Earth Mats are a tiny bit heavier than my foam pad but still really light and easy to transport. They are a thinner base to work on than my foam pad (mats together are 20mm vs foam pad at around 50mm) and they bend more easily.

This is completely fine when working on a table but you may want to put something firm underneath them if working on your lap – I use a lap tray.  

When feeling the Earth Mat and comparing it with a foam pad it’s a little bit like comparing bed mattresses. Not that I’m going to lay on these and sleep on them (haha). My foam pad feels quite springy to the touch so if I press my finger into it, the surface will spring back. When pressing a finger into the soft top mat of the Earth Mat combo it feels like there is some resistance and it feels firmer. Though it doesn’t spring back there’s a slight indent. 

Being made of wool, the Earth Mat has a nice natural wool smell. I love this! It doesn’t feel like you’re using something artificial. It looks, smells and feels very natural to use. 

I actually quite like that it’s a light colour. This is great for when I’m photographing my work in progress for social media or making a step by step tutorial. The most common colours for foam pads I have found seem to be black or blue. My blue foam is not always great for photos. There are different coloured foam pads out there but they are not always easy to source. 

Crunch factor?

For me, I quite like the crunching sound whilst felting as long as it’s not too loud for conversation and doesn’t drown out the sound of my music or tv. Thankfully the Earth Mat still makes a nice crunchy sound, though the tone is a little deeper than my foam pad. 

Wool sticking to the base? 

I mainly needle felt 3D animal sculptures rather than 2D pictures but I still make flat components such as animal ears. So a real test for the Earth Mat was to see if there were any issues with wool getting stuck to it. I was surprised that even when felting a dark colour wool on the light coloured mat (which would more obviously show up), not much of the wool was left adhering to the base as with my foam pad. The surface of my wool ears actually looked a lot neater and without loose pieces of wool hanging from them. So often I would have to re-felt the surface to neaten it when using a foam pad. 

As I felt all over a flat piece (even when stabbing with multiple needles at the same time) it doesn’t feel like my work is sticking to the mat, and when I pull it away after felting this feels easier. When stabbing the wool with the usual foam pad, it easily sticks to the foam and it’s much harder to pull off.

It is also easy to remove any fibres that remain on the Earth Mat and the instructions suggest some practical and easy ways to do this routinely to keep it clean.

Durability?

I’ve not used the Earth Mats for long so I can’t really say how long they will last but the fact that I can replace the top soft one or add another one to it as the original one flattens down and they say that you may never need to replace the firm one, sounds like they will last quite some time. 

After stabbing for a while, you will see on the Earth Mat that there are indent marks from the constant stabbing of the barbed needles. You don’t tend to get this so much with the foam pad material which enables the needles to penetrate through it far more easily. This is more an observation and doesn’t seem so far seem to affect its use as a base. However I can see that after some time this will flatten the mat. After all, being made of wool, the mat will eventually become more and more compact – hence the need to replace or add another one.

Needle safety?

What I do like is if you leave your barbed needles in the Earth Mat they are more firmly inserted since the material is so compact, whereas when you stick your needles into the foam pad, the needle holder wobbles from side to side easily and it feels like you could snap a needle. 

I would however dissuade you from inserting a reverse barbed needle directly into your Earth Mat. A reverse needle is designed to pull out fibres from inside a wool sculpture so as expected, when you pull it out, it will pull out some wool from your mat. As the wool in the mat is so densely felted down it is not so easy to retrieve the needle as it would in a foam pad. 

Fragments of the base coming off?

The bit that I love the most about the Earth Mat is that tiny fragments of my blue foam don’t end up on my needle felted animal as I am working, which so often happens with the foam pad especially when it is getting old and starts to disintegrate. Apart from it being annoying, it is very important to be able to say for certain to my customers that my products are made of pure wool. So even if a tiny bit of wool from the Earth Mat attaches itself to my felted animal then it is still fully wool and this is not a major issue. 

Environment 

A foam pad is usually made of some sort of polyethylene which can in theory be recycled but lots still end up going to landfill. So although they are fairly long lasting, eventually (especially if you needle felt often) they will need to be disposed of.  

The soft top Earth Mat which will need to be disposed of at some point is 100% wool and so is totally compostable, and therefore very environmentally friendly.

Here you can see that the soft top is simply just layers and layers of natural wool.

The firm base is partially compostable, but is not fully compostable. I would need to eventually throw it away but I am mostly using the soft one and probably won’t need to dispose of it for a very very long time, which is great. 

Additionally when I received my Earth Mats they came in a biodegradable bag -another win for the environment!

Cost

Foam pads are really cheap to get hold of. They often come in a starter kit if you are new to needle felting or you can purchase one on its own for as little as £3 and as much as £8 off Ebay/Amazon. Price usually depends on size and quality.  

A pack of two (soft top and firm base) Earth Mats are £14 for the small A6 size and £23 for the large A4 size. A replacement soft top A4 is also £14.

Though these prices are more than a foam pad I think for what you get it is a pretty reasonable price and worth the investment for a good quality, long lasting felting material. It is a lovely natural felting base to work on and is far less costly to the environment. 

The Earth Mat is well worth considering if you are starting out on your needle felting venture and looking for the right tools or if like me you have been felting for a while and your old base has come to the end of its life and you need to replace it. 🙂

Needle Felted Bumble Bee Tutorial

Would you like to create your very own Mr Bumbley Bee?

Now you can with this beautifully illustrated and detailed, step by step tutorial with over 250 instructional photos across 108 pages to show you 7 stages to create your own giant bumble bee.

He’s a giant fluffy gorgeousness that you can be brave to have him sit on your hand as he’s made of wool and much too much of a gentleman to sting you. His body is made of soft wool tops and his legs and antennae are shaped with pipe cleaners. His wings are made of organza with hand sewn stitching with white embroidery silks.

You’ll learn techniques including: basic armature making, reverse needle felting, long fur technique, wrapping wool and embroidery of wing patterns.

Includes Bee Anatomy diagram, Size Guides with wing template, Felting safety advice and Care instructions for your finished bee.

Mr Bumbley Bee – Needle Felting Tutorial – PDF download

Step by step tutorial to create your own giant bumble bee.

Pay by PayPal, Debit Card or Visa.

You will be taken directly to the download page when checkout is completed.

1 Digital PDF Download – £9.60

You will learn how to:

–         Twist pipe cleaners together to form a basic armature structure.

–         Emphasise the leg segments and antennae by adding small pieces of wool to them.

–         Wrap wool over the armature and build up layers of wool to sculpt a bee shape.

–         Use a reverse needle to create fluffy bumble bee hair.

–         Create the bee’s white tail using a long fur technique.

–         Add depth of colour to the yellow bands.

–         Make wing shapes from organza material and hand sew a pattern and attach wings.

Here’s a preview of some of the pages you’ll find in the PDF tutorial;

Please contact me with any questions. I hope you have fun making your very own Mr Bumbley Bee!

I would so love to see your bee creation, so please post a photo of him on Instagram with #mrbumbleybee.

Unusual Bees

I have recently had the wonderful privilege of being asked to needle felt some unusual Bumble Bees; two species I had never heard of until a few weeks ago – so I have had to do quite a bit of research. As many of you know I love discovering new animals and can’t wait to get started with my wool but when the person asking me to make a special bee for them is also a bee keeper of that species it does add to the pressure of getting it just right! As with all my creations I really do get to know so much about the colour, shape, anatomy and fine detail of whatever I am making. I have to say I have completely fallen in love with these precious bees! I hope you like them too!

So here is the first bumble bee. This gorgeous fluffy orange cuteness is a Patagonian Giant Bumble Bee (Bombus dahlbomii), one of the biggest and rarest in the world. His new owner calls them ‘fluffy puppies’ and you can see why!

He was very different from my usual felted bumble bee (Mr Bumbley Bee). Instead of adding wool to my pipe cleaner frame I added the legs last after building up the body. His legs were proper chunky and hairy too so I added more wool to the legs and used my reverse needle to pull out fibres to replicate hairy legs. Instead of white organza material with white thread for the wings I used black organza with black thread.

The second is this striking Yellow-Faced Bumble Bee (Bombus vosnesenskii) I made for the lovely beekeeper who wanted me to make one of her ‘girls’. I was amazed that in the photos she sent me that she was carefully holding a whole handful of these cute bees in her hand and one photo was of one sat on her nose! she reassured me they don’t ever sting her 🙂

Thankfully my needle felted ones won’t ever sting and it’s a good job with the size I make them!

Again I created the legs separate from the body and made the wings black. Isn’t she a lovely bundle of bee fluff…

Needle felted Fox

I so love foxes. For many they are a real pest and I can understand how heart breaking it can be for a fox to take a beloved chicken (we live with 3 beautiful chickens and are often on fox watch!). However I will never stop being amazed at how in the UK we actually have wild dogs (almost mini wolves) roaming around. Not only that, they are a vibrant orange colour that matches the autumn leaves! I don’t know about you but I think they are stunning animals!!

Back in September I was so delighted to receive a commission from a lovely lady in California to needle felt a curled up fox. My second ever felted animal was a fox but I have learned so much since then and couldn’t wait to get started.

This photo of a beautiful real fox was my inspiration.

Fox fur is far from being one colour but a mix of brown, cream, yellow and orange tones which are accentuated by black and white. I love to make my wool sculptures as realistic as possible so I chose and hand blended a lovely colour palette in merino and corriedale wools.

I started off with a wire armature and wrapped corriedale wool over it using fox anatomy and skeletal pictures on line for reference. I then shaped the head, added the ears, eyes and nose and then added the paw pads to the feet. Then, using the long fur technique, I attached the foxy coat. I used black horse hair for the whiskers!

I hope you like this sweet little fox. Here are some photos of the finished sculpture. Such a bushy tail 🙂

Perfect autumnal (fall) setting for this little needle felted fox made by its new owner in California. Can you spot the fox? 🙂

Needle felted pipistrelle; Species Champion award

This week has been an exciting week. The needle felted pipistrelle bat I created was mounted and given as an award at the Palace of Westminster to MP Helen Hayes as she is the species champion for the common pipistrelle and won best parliamentary species champion at the Species Champions Annual awards ceremony. Well done to Helen for all her hard work!! It was presented by BBC Journalist Frank Gardner.

I am so happy that my artwork became something so special for an amazing project. The project is run by the Rethink Nature partnership, a group of seven wildlife organisations working together to make a difference to species conservation. (Amphibian and Reptile Conservation, Bat Conservation Trust, Buglife, Bumblebee Conservation Trust, Butterfly Conservation, Plantlife and the RSPB).

The little bat took many hours of sculpting through the art of needle felting. His body is made of core corriedale wool. His wings, legs and tail are wool wrapped over wire.  His beautiful brown coat is made of a blend of corriedale and merino wool. His eyes, nose, ears and tiny feet are made of wool too.

The common pipistrelle as its name suggests is the most common bat that you might see flying in your garden on a summer night! Yet like all our bats in the UK they need our help and protection to ensure their numbers don’t decline again. They are so important to our environment! I love bats but some people don’t and this is usually as they don’t know much about them and bats are so misunderstood.

When you look at a bat close up they are actually very tiny and many times smaller than the size of my needle felted one. In fact a real pipistrelle bat weighs about 5g and their forearm length is less than 35mm in length. One of these tiny creatures can eat around 3 thousand insects in one night – how amazing is that!? Due to destruction of their natural habitat many bats now need to roost in houses and churches and rely on people to preserve these roosts.

Each bat usually has only one pup each year and too often that little pup will become lost or get caught by a local cat and so many each year don’t survive. The Bat Conservation Trust has a fantastic helpline if you find a bat in need of help. You can also find out how to support their work 🙂

Here are a few work in progress photos of my needle felted bat…

Having worked for 12 years at the Bat Conservation Trust I have quite a good knowledge of bats but it was still a challenge to get the anatomy right. Bats are so fascinating and detailed with their tail membranes and wing membranes! I wanted to give the illusion of fully formed wings that could spread out but tucked in as if it has landed. I hope I did it justice.

As with all my needle felted animals I used lots of photos of the real animal at every angle for reference. Thankfully no needles were broken but I did remake his face at one point and a good deal of patience and chocolate rewards were needed along the way!! This aside I really did enjoy making him and I was so overjoyed to see the smile on Helen Hayes’ face too when she received him as her award !

Needle Felted Tabby Kitten

“Paws”, an adorable and realistic looking Tabby kitten, is looking up at you with those big green eyes. His little paws playfully protrude out of the picture. He has been lovingly hand-made and is ‘fit to be loved’. As you can see from the photos he is in a black frame with green insert to compliment his eyes.

The frame I used measures 9 inches wide by 7 inches tall perfect for fixing to a wall or standing on a table/chest of drawers. It took many hours of hard work and love to give him his playful character through the art of needle felting.

His beautiful soft fluffy fur is a blend of merino sheep’s wool (non-mulesed) from South Africa and British Corriedale wool. His nose and eyes are made of wool too, so no glass or plastic. He even has cute brown wool paw pads when you look underneath! His core is made of undyed mixed rare breed sheep’s wool from Scotland with a wire frame inside his legs for extra support. His white whiskers are made from horse tail hair for a realistic finish. He has a little collar with gold coloured heart pendant.


Here are some photos of the needle felting process.

  1. With real cat photos as reference, I started sculpting the core wool to make the head,
  2. I then filled in the eyes and added layers of grey, black, brown and white wool to resemble cat fur.
  3. I added nose and mouth detail.
  4. Once the head was complete I wrapped more core wool over a wire armature and sculpted the legs and torso.
  5. After attaching the head I layered coloured wool over the top of the body and legs to give that soft fluffy cat fur look as well as the paw pad detail.
  6. Finally after tying a collar round its neck with a gold coloured pendant, I threaded the horse hair whiskers.
  7. As with all my long haired sculptures I went over all the furry layers with a tiny needle to separate fibres and ensure no fluffing or matting and then trimmed any excess fibres that stuck out.

After making him I went on to make a Tabby Birman cat head and made a needle felted cat head series for you to enjoy, see the videos list here.

How to needle felt leaves

If you are looking for a simple and effective method to needle felt some lovely looking leaves then this will hopefully give you some inspiration.

I recently felted some leaves for ‘Hazel’ the sleepy Dormouse and took some photos of the process for you along the way.

There are many ways to make needle felted leaves e.g. using leaf-shaped cookie cutters or felting sheets of wool and then cutting out the leaf shapes.

I decided to experiment with sheets of wet wipes (just cheap every day baby/hand wipes are fine). I found that not only are they a nice thin base to felt the wool onto for natural looking leaves but you still end up with sturdy pieces that keep intact and don’t easily fall apart. Having leaf shape cut-outs ready to work on made the process nice and easy too!

You can draw leaf shapes straight onto the wet wipes or you can (as I did) draw on to paper or card first to try out a few sizes and variations and choose the shapes you like best.

I looked up oak and maple leaves in a tree identification book and copied them freestyle onto my paper. You could also sketch leaves whilst you see them on a walk or collect them to draw when you get home. If you aren’t confident to draw them freestyle then why not trace over a book or computer/tablet screen image.

Here are my four sheets of wet wipes and I have cut out my leaf shapes (oak on the left and maple on the right) from paper ready to use as templates to draw round.

It is best to use a pen to trace round the leaf shapes rather than a pencil to make sure the lines show up clearly. Don’t worry about the wet wipes still being slightly damp as they will soon dry.

When it came to cutting I used small scissors as it was easier to cut the tiny jagged edges.

You can make as many leaves of however many species you like. I stuck to just the oak and maple and made two of each; a ‘spring/summer green’ version and a ‘changing to autumn’ version.

Here I am making a start on my first oak leaf.

For the ‘spring/summer green’ versions I chose a mixture of some beautiful vibrant green merino wools.

If you want to felt flat pieces quicker, a four needle tool is perfect. Triangle or star needles are great for this.

Continue to add more wool and firmly needle felt it into place. A single thinner needle (star or triangle) will help to define the edges and keep the wool to the shape of the cut-out.

If you are gluing or sewing the leaves onto a picture/collage you won’t need to felt the other side as well. For my dormouse nest however I wanted to be able to take the leaves out the nest as separate pieces of art so I decided to felt the other sides of the leaves too.

I used brown wool for the protruding stem of the oak leaf.

To ensure the surface of the leaves don’t look holey or to carefully brush the fibres in one direction for hairy leaves (make sure you have firmly felted the wool first before attempting this), use a spiral/twisted needle.

For the upper side of the leaf, carefully felt the stem and leaf veins with a thin (preferably a spiral/twisted) needle. Alternatively you could stitch on this detail using embroidery threads.

Here are a few process pictures of the maple leaf.

For my ‘changing to autumn’ versions I added thin layers of varying shades of green, yellow, orange and red merino wool to give a lovely blended finish before adding the stem and vein details.

You can really use your imagination when it comes to colour. When you look at real leaves no one leaf is the same as the next. I just love going for walks in the countryside and admiring the leaves on the trees or those in the autumn around my feet that have fallen. They are so amazing!

For really flat leaves, steam iron them for just 10 seconds each below a cotton sheet/tea towel.

I hope you found this step by step photo guide helpful for making your own needle felted leaves. Let me see how your leaves turned out!

Here are some final pictures of the leaves once they were finished. They look great on their own or with a woodland creature! 🙂

Needle felted dormouse

May I present to you ‘Hazel’ the sleeping hazel dormouse. She is snuggled up on her needle felted leaves in a wool nest I crocheted.

She is a mix of merino and corriedale wools with a wire in her tail and has horse hair for whiskers. Her tiny toes are all wool – I think they are the tiniest I have made yet and were very fiddly but certainly worth every minute of the process.

Hazel was such a joy to make while I have been recovering from a life changing operation. Curling up into a little ball just like she is doing in her cosy nest is something I have felt like doing a lot the past few weeks as I have needed so much sleep.

I hope you like her. I will be posting more about how I made the leaves soon too.

Needle felted bumble bee

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Here is my first attempt at a needle felted bumble bee. I gave it to my sister for her birthday last week. My sister’s name Melissa means ‘honey bee’ but she loves bumbley bees as they are so fluffy looking! I was brave enough to let it sit on my hand without any worries about being stung. Good job as it is much larger than life size!

I started off using black pipe cleaners as legs and antennae. I twisted them together in the middle to form the base for the body. I trimmed the pipe cleaners with small angled nail scissors to accentuate the leg segments and added tan coloured wool..

I tightly wound yellow, black and white merino wool tops over the middle section to form the head, thorax and abdomen and added more and more of the merino on top to build up the height. I needle felted the body with a barbed needle to sculpt into a bee shape. To create a furry bumble bee look I then used a reverse felting needle to pull out the fibres and added a layer of rusty orange over the yellow to give the colour more depth. (Note I didn’t use a cream colour core wool for this piece to ensure that only the pure colours I wanted came through when I used the reverse needle not any underlay of core wool fibres).

I had to get really creative for the wings. I searched my stash of crafty bits and ended up cutting out wing shapes from a silvery coloured organza bag and then hand sewed the pattern on each wing by hand with white embroidery thread.

Here are a few photos of the work in progress of how I started.

I am so pleased that my sister adored him!!

******how about creating your very own Mr Bumbley Bee? The detailed and beautifully illustrated PDF tutorial is now available here ******************

Blossom the baby bunny

My first ever needle felted animal back in 2013 was a sweet little white bunny holding a carrot.

He seemed to just emerge out of my wool the moment I started stabbing away and sculpting with my barbed needles! From that day I just knew this was the hobby for me!

It has been a journey of joy in creating, therapy and relaxation through the tough trials that life brings and through my own experimentation it has hopefully helped others as I journal and share my techniques as tutorials.

Needle felting is such a wonderful art form as it enables you to just go for it with whatever you want to make, with no need for a pattern or sewing, just your passion and imagination. If you make a mistake it doesn’t matter – it is forgiving and each time you create something new the result brings a smile!

As some of you have come to know, I love to improve and challenge myself. This last few weeks I set myself a challenge to make an animal with fur that has been reverse needle felted. At the moment we are staying in a lovely house in the countryside next to open fields of corn and wild flowers and we often see the cutest bunnies popping up from their burrows and skipping and playing in the sunlight. They are a delight to watch, especially when they hop away with only a flash of a white fluffy tail to be seen.

So what better animal to choose to have fluffy fur than a cute baby bunny rabbit! To me they are a real sign that spring has arrived and summer is on its way!

I would like to introduce you to ‘Blossom’!

You can see from the photos that she is the perfect size to sit on your hand just like a real baby rabbit. She is 15cm tall from the top of her head down to her cute bunny paws.

As with all my needle felted animals, it took many hours of hard work and love to give her that playful character. Her core is made of undyed mixed rare breed sheep’s wool from Scotland. Her beautiful soft fluffy fur is a blend of merino sheep’s wool (non-mulesed) from South Africa. Her nose and eyes are made of wool too, so no glass or plastic. Her whiskers are made from Shetland pony horse tail hair.

She even has pink paw pad detail when you look underneath her!…and look at that fluffy tail! 🙂 aw!!

Here you can see that I made the front and back feet individually and left a tuft of core wool on each for easy attachment.

You might be wondering what reverse needle felting is?

Firstly I used normal barbed felting needles to sculpt her shape with the core wool and add the colour with the merino wool. Once I had added a layer of white merino wool over her body I then added a layer of ‘pewter’ (dark grey) merino wool. I then took a reverse needle (which has barbs going the opposite way to a normal barbed needle) and as I stabbed at the wool it pulled the white wool fibres (and some of the core wool) through the grey. This resulted in a fluffy light grey colour. I carefully used an eye brow brush to brush the fibres in one direction to mimic the look of baby bunny fur.

She is ready to hop into your life this spring time!

Feel free to comment and let me know what you think and if you have any questions about reverse needle felting.

I hope you have a lovely relaxing Easter!!

Mini Schubie the Sheltie Feltie

I am very excited to present to you my greatest needle felting challenge yet. He is modelled on a beautiful young Shetland sheepdog (Sheltie) called Schubert (Schubie)! The real dog is very much loved by his human mum and dad and his dad wanted a surprise gift for his wife (Schubert’s mum) for Christmas!
I rarely do commissions as I try to avoid the stress of it but having spent quite a bit of time admiring the real Schubert I had been wondering how it would be to needle felt a mini one and quite fancied a stab at it!  🙂

Schubert has so many tones to his luxurious fur so I spent quite a bit of time blending wool colours. He also has very long fur so I really put into practice my ‘adding long animal fur’ techniques.

I started off wrapping corriedale core wool over a wire armature. Then I added paw pads and then some detail on his face before starting on his belly fur and working from his tail end towards his neck with merino wool. I did his wispy feet hair and tail last. Please see the work in progress videos below for more info.

In an attempt to keep him as authentically ‘Shetland’ as possible I managed to include some brown Shetland sheep wool in his coat and his whiskers are made of black Shetland pony tail hair all the way from Scotland.

As with all my creations it took many hours of needle felting and love. I am very pleased with the way he turned out and I hope you like him too 🐶🐕😆

Here are some short videos of the process, followed by the final photos of Schubie.

Here is the process of the armature with the body shape sculpted over it in wool:

Here is the Schubie journey:

And a quick video showing the making of his tail:

And here he is 🙂

Meet Freckle; the baby tiger quoll

Here is my latest needle felted animal known as “Freckle”!

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She is an adorable baby Tiger Quoll (a wonderful and unusual looking marsupial from Australia). She is sound asleep all curled up, be careful not to wake her!!
Why Freckle? I posted her on facebook and asked for name suggestions. There were so many great ideas but I decided that the name ‘Freckle’ really suited her. I had freckles across my nose as a kid. My nanny (my mum’s mum) used to say to me that freckles were sun kisses. How sweet! This creature is sweet and certainly has quite a few freckles!

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She has been lovingly hand-made and is ‘fit to be loved’. As you can see from the photos she just about fits onto your hand like a real baby quoll.

Her core is made of natural undyed corriedale sheep wool from New Zealand. Her beautiful spotted fur is a mix of brown corriedale and soft merino sheep wool (non-mulesed) from South Africa. She has a wire through her tail.

As with all my wool sculptures it took many hours of hard work and love to give her her character. I used the adding long fur technique as well as trying out my new reverse needles to ensure her fur looks as realistic as can be.

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Her nose and eyes are made of wool too, so no glass or plastic. Her realistic looking whiskers are made from horse hair.

I hope you like her 🙂

*************** Freckle is now for sale in my Etsy shop! -update on 7th Dec 2018 – Now sold. So very excited to announce that Freckle will be going to a lady in Australia! *********************

Needle felted butterfly – bringing back the extinct (and hope) with the art of needle felting

Needle felted butterfly – bringing back the extinct (and hope) with the art of needle felting

My latest needle felted project has been a challenge (nothing is ever simple with me!) but it has been so worthwhile to see the finished butterfly in its frame.

I have always loved butterflies and if you spend more than a minute with me you will notice that I have many items that are butterfly themed; stationery, cards, blouses, my wedding was adorned with feather butterflies and as you can see my Fit to be loved logo has a tiny orange butterfly.

I came across the Mazarine blue butterfly (scientific name Cyaniris semiargus which is pronounced sy-an-EYE-riss se-mee-AH-guss) over a year ago as it stood out to me not only for its beautiful markings and vibrant blue colours but also I was saddened to read that it was last recorded in the UK in 1904.

I envisioned what this beautiful creature may look like if I were to make it out of wool and to have it framed. It would be amazing to bring back an extinct butterfly with the art of needle felting!

I set myself this project and though I started a year ago with a few wing shapes and lots of imagination, life took a bit of a different turn.

Some of you who follow my Facebook posts may know that 2 years ago this week our worlds changed forever as our twin girls, Chloe and Grace, were born still at 24 weeks. Since then life has had its ups and downs as I have journeyed the hills and valleys of grief. Throwing myself into my long term full time job as a Manager of a charity helpline in South London as a way to distract from my thoughts has been a coping mechanism but this kind of life can only reach burn out. Also some of my passions including needle felting took back stage.

In April this year I realised I needed to make a change, to face my fears, start afresh, take a break. I also wanted to dare to follow my dreams of helping others on a new career path and so my husband and I decided to move out of London and I made a huge step of leaving my job. So here I am in Lincolnshire (back to my birth town of Grantham) after moving home 3 weeks ago. I have space to think, to breathe, to heal, to be, to create!

You will be pleased to know that my new career choice has enabled me to gain some free time to invest more in my needle felting.

I hope you like the Mazarine blue butterfly which I have finally been able to complete. It has been lovingly handmade with soft merino wool over wire and mounted in a deep box frame to keep it dust free.

Butterflies are often a symbol of hope and life. This one is certainly the start of something new in my life. A path of hope.

What passions could you bring back? What hobbies can you start or revive? Where is your life taking you? What are you hoping for?

     

   

Blessings always xx

Amanda

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